The latest trailer for the upcoming DreamWorks film The Boss Baby — an animated comedy featuring Alec Baldwin voicing a baby who is, bear with me here, a boss — was specially cut together to be paired with Disney’s Beauty and the Beast remake, which premiered this past Friday. The video, jocularly titled “A Tale NOT As Old As Time” in reference to the line from the 1991 film’s theme music, features the Baldwin-voiced infant making Cogsworth and Lumiere play with one another as playthings before he directly accosts the audience. For a movie that would appear to be marketed to children, it sure does contain a joke about sticking a candlestick in there somewhere.
Ever since the now-infamous photo of Pennywise the evil homicidal clown peeking out of a drainpipe surfaced online, fans of Stephen King’s seminal horror novel It have been concerned about Seth Graeme-Smith‘s upcoming film adaptation. There was fair cause for worry, too; it looked as if light was coming from several different sources, like a hasty photoshop job one might find on the box art for some direct-to-DVD cash grab. The only person who could really set the It devotees at ease would be Stephen King, who has seen dozens upon dozens of his works make the jump to the silver screen. And it would appear that he’s now done just that.
L. Frank Baum‘s fantasy novel The Wonderful Wizard of Oz has proven a malleable property over the years. Of course everybody knows and loves Victor Fleming’s 1939 film adaptation, then came the urban-set musical revision The Wiz, the villain’s-eye-view retelling Wicked, Sam Raimi’s limp-noodle Oz the Great and Powerful, NBC’s crazytown new gritty-reboot series Emerald City, not to mention the dozens of films that have paid homage to the timeless scenes of Fleming’s film. (The bit in O Brother, Where Art Thou? when our heroes sneak into a KKK meeting like it’s a Winkie stronghold is a particular standout.) And today brings the news that the merry old land of Oz will get yet another new spin, and this time, there will be blood.
I was fortunate enough to attend a screening of Get Out earlier this week, and hoo boy, that right there is one fine motion picture. Our beloved Editor-in-Chief Matt Singer made as much clear in his ringing endorsement from Sundance, but take it from me: very spooky, very funny, has something to say, insanely well-cast and even more well-acted. It’s an easy movie to love, and while the box-office receipts from this upcoming weekend will rule on whether audiences agree, the critics of America have already made their voices heard. And those voices are ringing out in perfect unison, a harmony sounding out as if from an angelic choir: “THIS MOVIE RULES.”
Sound the alarm emojis — last night brought a new update on the slow gestation of Martin Scorsese’s next feature film project, the mob drama The Irishman. It’s already a hot property, boasting a cast including Marty favorites Robert De Niro and Joe Pesci along with newcomer Al Pacino, who already spent the last two decades acting as if he was in the third act of Goodfellas anyhow. “Martin Scorsese doing another crime epic with some of today‘s greatest living actors” turned out to be quite the tantalizing prospect, too, because last night brought the news that Netflix has purchased the rights to the film right out from under Paramount.
It is usually to humankind‘s advantage that the flame of hope is not easily extinguished. When the pursuit of a lofty ideal grows difficult, the unshakable bedrock of hope has provided the righteous with strength and fortitude. But hope can also be a heartbreaker, constantly teasing us with the faint chance of achieving an impossible dream. Up until today, fans were able to cling to the possibility of a third installment of Guillermo Del Toro‘s Hellboy franchise, however remote. But the director took to Twitter earlier today to deliver the sad news that we may now finally abandon hope — it ain’t happening.
Over the course of the eight Nightmare on Elm Street films, Robert Englund made dream stalker Freddy Krueger from a slasher-film specter into a major cultural icon. His sartorially questionable striped sweater/fedora combo, the pepperoni-like complexion, the razor-blade gloves — it’s all been enshrined in the horror hall of fame for years. He officially laid his signature character to rest with 2003’s Freddy vs. Jason, turning the role over to Jackie Earle Haley for the 2010 remake, but a new project indicates that Englund and Freddy can’t get rid of one another that easily.
James Gray got played hard on his last release, the classically-minded drama The Immigrant. The film earned rapturous reviews out of its premiere at Cannes and landed a distribution deal with the power players at the Weinstein Company — who then let it languish in obscurity before quietly releasing it over a year later. The film was a triumph among critics but a huge missed opportunity from an industry perspective. Hopefully, Gray will have a better go with the less domineering Amazon Studios, who will release his new picture The Lost City of Z in April.
I‘ve never seen 75 million dollars. It’s more than I have ever had, will ever have, and in all likelihood, more than I will cumulatively earn over the course of my entire life. I can’t really even conceive of how much money that is, the buying power it represents. So the news that Ben Affleck singlehandedly lost $75,000,000 for Warner Bros. with his pricy and apparently unappealing Live By Night has been kind of hard to process. Why doesn’t he have to go to jail? How is he allowed to continue directing movies? This defies all the laws of Monopoly, my lone primer on the ins and outs of macroeconomics.
Look, you can’t blame a studio for taking notice when something is working and wanting to replicate their own success. Sequels wouldn’t get greenlit unless someone, somewhere, wanted them. It makes perfect fiscal sense for upstart animation studio Illumination to follow up on their blockbusters Minions, The Secret Life of Pets, and Sing. But, god, did they have to announce them all at once like that?
We’ve got 11 long months to go before anyone will get a look at Star Wars: Episode VIII, so Lucasfilm has tried to pace itself with leaking details of the hotly anticipated upcoming release. Today, however, they dropped a big one: on the official Star Wars web site, a new announcement revealed the subtitle for the eighth installment in what the site refers to as “the Skywalker saga.” The post declared, “We have the greatest fans in this or any other galaxy. In appreciation of the fans, we wanted them to be the first to know the title of the next chapter in the Skywalker saga: STAR WARS: THE LAST JEDI.”
It appears that you already have an account created within our VIP network of sites on .
To keep your personal information safe, we need to verify that it's really you.
To activate your account, please confirm your password.
When you have confirmed your password, you will be able to log in through Facebook on both sites.
*Please note that your prizes and activities will not be shared between programs within our VIP network.
Welcome back to MIX VIP Club
It appears that you already have an account on this site associated with . To connect your existing account just click on the account activation button below. You will maintain your existing VIP profile. After you do this, you will be able to always log in to http://mix941kmxj.com using your original account information.