J.J. Abrams is famous for keeping secrets. His whole schtick as a director is the “mystery box”—finding pleasure in the unknown, and in the tease of that uncertainty. He didn’t show the monster in the trailer for ‘Cloverfield’; hell he didn’t even show the title of the movie in the trailer for ‘Cloverfield.’ If J.J. Abrams could release a movie without telling you anything about it, he probably would.
This is a weird instance of art imitating life imitating art. Universal Studios Orlando’s famous old ‘Earthquake’ ride was recently updated and replaced with a similar attraction called ‘Disaster!’ where guests get to experience movie special effects, and become extras in the “ultimate” disaster movie called ‘Mutha Nature,’ which stars none other than Dwayne ‘The Rock’ Johnson. Next summer, Johnson will be seen in ‘San Andreas,’ which is basically ‘Mutha Nature’ brought to life.
Trailers are a huge part of the fabric of movies. They play before every film shown in theaters, and on every movie website around the world. They’re commercials, obviously, but they’re also more than that; miniature works of art that utilize the core elements of cinema—image, sound, music, action, editing—at their most pure and refined. And today at ScreenCrush we’re celebrating movie trailers by saluting the best sneak previews of 2014.
Every year, Little White Lies Editor-at-Large David Ehrlich celebrates the best movies with a video countdown supercut. The newly released 2014 edition is typically excellent, and covers Ehrlich’s picks for the top 25 films of the calendar year (even if I might quibble with some of his individual choices coughsomethinginmythroatnotreallyIjustdon’tlike‘Godzilla’cough).
Even as a nearly lifelong ‘Terminator’ and Arnold Schwarzenegger fan, it is tough to figure out what to expect from ‘Terminator Genisys.’ Those ultra-agro cast photos looked like a cosplay party gone wrong, the title looks like an autocorrect disaster, and the plot synopsis as we understand it right now (with Sarah Connor, played by Emilia Clarke, raised from childhood by a Terminator, played by Schwarzenegger, she calls “Pops”) sounds ... weird. Like, really weird.
A sequel to Ben Stiller’s ‘Zoolander’ has been a long time coming. The original movie, which followed the hilariously dumb misadventures of a male model named Derek Zoolander (Stiller), opened in the fall of 2001. 13 years later, work is finally starting to ramp up on the follow-up. Actor and writer Justin Theroux will direct ‘Zoolander 2’ (which should be called ‘2lander,’ for obvious reasons), and Stiller will reprise his role as Zoolander, along with Owen Wilson as his model buddy Hansel and Will Ferrell as the world’s most evil fashion designer Mugatu. Deadline says that the returning cast now has its first new addition in the form of the lovely Penelope Cruz.
‘The Hunger Games: Mockingjay - Part 1’ is a movie comprised almost entirely of deleted scenes. As it says right in the title, this isn’t the final chapter of ‘The Hunger Games’ series; it’s just the first half of the final chapter, and that’s exactly what it feels like. It’s table setting for a meal that won’t be served until next November. ‘Mockingjay - Part 1’ is good-looking, well-acted, and utterly inessential.
At a glance, MasraniGlobal.com looks like any other website for a boring technology company, with details on its founder, Sanjay Masrani, his son and successor Simon, and their financial interests in construction, engineering, real estate, health care, and dinosaur theme parks. On second thought, perhaps that last part is a clue that Masrani Global doesn’t exist, except as a fictional company in the story of ‘Jurassic World,’ next summer’s sequel to Steven Spielberg’s ’90s dinosaur classic.
“I’ll be back,” is no longer just Arnold Schwarzenegger’s most famous movie quote and catchphase. It’s now his main business model. While doing a Q&A in England last weekend, Schwarzenegger announced there was another potential sequel in his future: ‘The Running Man,’ his 1987 sci-fi thriller based on a novel by Stephen King about a dark future where criminals compete for their lives on reality television (that dark future, apparently, was the year 2014).
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