This weekend’s box office was essentially the hangover from last week’s big holiday: the numbers are a little smaller, very little in the top 10 actually moved around, and the only new release didn’t even come close to threatening the dominion of Moana and Fantastic Beasts and Where to Find Them.
Fantastic Beasts and Where to Find Them may not have Harry Potter in its title, but the first entry in J.K. Rowling and David Yates’ spin-off series did Harry Potter numbers, dominating the box office and dethroning Doctor Strange from its position at the top of the charts. The film’s success came at the expense of the other newcomers, with The Edge of Seventeen and Bleed For This both stumbling in the bottom half of the top 1
It looks like the general public reacted to one of the most stressful weeks in living memory by flocking to the movies for a few hours of escape. Both Doctor Strange and Trolls, which debuted to solid numbers last week, held on strong. Arrival, the biggest newcomer of the bunch, also opened well, proving that it’s entirely possible to open in third place and still be a winner at the box office.
Like any new Marvel Studios movie, Doctor Strange was destined to take the number one spot at the box office — it was really just a question of how much it would make. Ultimately, Benedict Cumberbatch’s Sorcerer Supreme surpassed expectations, topping the charts with an exceptional $84 million. But this was a strong weekend in general, with Trolls and Hacksaw Ridge performing well in second and third place.
Did anyone want a third Robert Langdon thriller? While The Da Vinci Code was a gigantic hit back in 2006, Angels and Demons made significantly less on both the domestic and international charts. And now, Inferno looks to answer that question with a painful whimper. No, nobody wanted a third Robert Langdon movie, and the film’s opening weekend makes that abundantly clear.
The trend of more adult-oriented films commanding the box office continued this week with the success of The Accountant, which effortlessly snagged the number one spot. But like The Girl on the Train and The Magnificent Seven before it, Ben Affleck’s latest was strong without being enormous, meaning that word of mouth in the weeks ahead will prove vital to it being a proper hit.
Despite new challengers of all genres, budgets and backgrounds, Sully remained number one at the box office this week, fending off the likes of Blair Witch, Bridget Jones’s Baby, and Snowden. In a month not traditionally known for producing many financial juggernauts, Clint Eastwood’s drama has emerged as something of a surprise smash, surpassing most expectations and showing no signs of slowing down quite yet.
Just when you thought September was going to be a slow month at the box office, Clint Eastwood and Tom Hanks show up with Sully and make things interesting all over again. The feature film adaptation of the “Miracle on the Hudson” opened with huge numbers, benefiting from the pedigree of the talent involved and the lack of direct competition in the middle of a not-so-busy month.
September has arrived and this notoriously slow month at the movies often spells instant death for new releases. It certainly meant on a dead-on-arrival start for The Light Between Oceans and it spelled total disaster for Morgan, which debuted at number 17 on the box office charts despite being released into more than 2,000 theaters. But this week isn’t all doom and gloom! This slow week gave some much-needed breathing room to a few August releases while allowing Don’t Breathe to have a strong second weekend at the box office.
And thus the 2016 summer movie season ended in a manner that reflected these past few months as a whole : with a whimper. Despite three new releases, the rapidly tumbling Suicide Squad clung to the top spot, with last week’s runner-up, the raunchy animated film Sausage Party, once again coming in second place. It was a tough weekend for War Dogs, Kubo and the Two Strings, and Ben-Hur, each of which limped into the top 10 with unspectacular numbers.
Despite receiving overwhelmingly negative reviews, Suicide Squad opened with record-smashing numbers, obliterating the record set by Guardians of the Galaxy back in 2014. And yet, the box office of summer 2016 has taught us one thing: anything can happen after that opening weekend and it probably will. This certainly looks like a huge victory for Warner Bros. and their DC Extended Universe right now, but who knows what next week will bring?
As expected, Jason Bourne topped the box office in its opening weekend, but like so many of the sequels released this summer, the initial numbers aren’t quite what everyone was hoping for. This doesn’t mean we should count out Matt Damon’s return to his most popular character just yet, but it does add more fuel to the “audiences are getting a little picky with the sequels they will pay to see” narrative that has been forming over the past few months.
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